Robert Starks and Francis Nally (aka Pilleater) talk to Evee about culture and aesthetics, psychology, and sexuality. Evee, a long time fan of the podcast, is an underground artist and musician (formally signed to Eyeball Records) from New Jersey, and is of French and Italian descent. Evee is a soi-disant Avant Garde bohemian, and champagne socialist, with a French mentality in temperament and cultural sensibilities. Check him out on YouTube and Twitter.
Topics:
Evee’s satirical fan videos of Robert Stark, Luke Ford and Jason Reza Jorjani
The New Jersey scene as a more authentic precursor to Dime Square
Revisiting the scene known as the Alt-Left, Alt-Center, or leftwing of the Alt-Right
Aesthetic preferences in art and cinema
The politics and philosophy of aesthetics
Why economic elitism is the enemy of cultural elitism
Why sincere sexual and aesthetic-based racism is preferable to sublimating these preferences into reactionary politics
Why psychoanalysis could cure a lot of political and social problems
Why rightwing moralism is as bad as leftwing moralism
Evee’s intuitive view of human nature
Why Evee dislikes the Manosphere and Red Pill scene The political symbolism of oral intimacy and fetish culture
The implosion of modern liberal society
Evee’s upcoming book of poetry
Robert Stark talks to Anatoly Karlin about his political transformation, as well as the conflicts in Gaza and Ukraine, and the timeline for the singularity/AGI. Anatoly Karlin used to blog at Unz until 2021, and has a new substack blog, Nooceleration, focused on Artificial intelligence. Follow Anatoly on Twitter.
Topics:
Anatoly’s ideological transformation from a Russian nationalist to a neoliberal globalist, and why he has no use for the Right
Anatoly’s prediction that the Ukraine war would happen in December, 2021 (referenced in New York Times), though he was wrong in predicting that the war would be short
Why the war will likely remain a stalemate, unless there is some technological breakthrough
Anatoly’s disillusionment with Putin’s Russia
Why neutrality is the sane position for both the Ukraine vs Russia and Israel vs. Gaza conflicts
Why large-scale escalation of the Mideast conflict is unlikely in a conventional timeline, though an AGI alignment timeline increases the risk Is the Israel/Gaza War the end of the Liberal-Zionist Alliance? (Woke anti-Zionists hate Israel/Jews due to their Whiteness)
Whether wokeness is waning and being replaced by outright establishmentarianism
Anatoly’s correct prediction that the election would be Trump vs. Biden, and why he still predicts that Biden will win
Why Anatoly is more bearish on China’s economic and soft power after previously being a China bull
Reasons to be relatively bullish on the US, primarily because its the center of AI
Why the culture wars are unimportant looking at the big picture
The major problems with AI accelerationism
The economic impacts of AI and crisis of overproduction
Why the solution to AI is not government regulation but rather investing in the biosphere, plus reforming the hardware based on a public blockchain
Robert Stark speaks with James O’Meara about his book, Mysticism After Modernism: Crowley, Evola, Neville, Watts, Colin Wilson, & Other Populist Gurus. Mysticism After Modernism is published by Manticore Press, where it is available for purchase. You can also find it at Counter-Currents and on Amazon.
“Our spirituality has gotten too tame today. James J. O’Meara has a solution [in Mysticism After Modernism]
–Mitch Horowitz, PEN Award-winning author of Occult America and The Miracle Club
-The intersection of mysticism with politics and culture, and how mysticism is available to any political persuasion
-Countering the Hippie-dippy liberal stereotype about New Age gurus
-Critiquing the reactionary who passively accepts cycles of decay, and the need to embrace infinite possibilities
-A practical take on magic/mysticism, in regards to enacting real world change
-Aleister Crowley’s definition of magic as transforming the World in accordance with one’s will
-Examples of opinions and attributes of Alan Watts and William Burroughs that come across as anti-liberal
-Greg Johnson’s article, “The Spiritual Materialism of Alan Watts: A Review of Does It Matter?”
-Watts’ ties to quasi-fascist Serbian mystic, Dimitrije Mitrinović
–New Thought, and an explanation for how Neville Goddard’s Law of Assumption works
-New Thought as a vehicle for political change, by removing all mental constraints
-Why Theosophy is the theology best adapted to hereditarianism (eg. illiberal pluralism)
-William Burroughs’ obsession with rejecting control in a metaphysical sense
–The Greek Qabalah, hidden esoteric traditions in Abrahamic faiths
-Colin Wilson’s practical mysticism, focused on expanding consciousness
-Parapsychology and Spiritual Science
-The need for spiritual elitism and Aristocratic Radicalism
-Robert’s novel, Vaporfornia, which has themes relating to New Thought
-James’ book, Passing the Buck: Coleman Francis and Other Cinematic Metaphysicians
The crisis of modernity as anomie, uprootedness from place, identity, tradition, and social bonds, and its impact on the human psyche
Parallels between the modern existential crisis and that of Steiner’s era
Traditional religion being replaced by new secular religions (eg. social justice, scientism, secular heresies)
Steiner’s belief that spirituality and science are interconnected
Parapsychology, including studies of near death experiences
Comparisons to Carl Jung and Christian mystics, Emanuel Swedenborg and William James
Anti-vaxxers’ fascination with Steiner’s warnings of genetically re-engineering people’s spirituality
Steiner’s views on spiritual races and the Steiner schools becoming a target of cancel culture, though Steiner was staunchly anti-fascist
The limitations of materialism and rationalism, and Steiner’s influence from Romanticism
Steiner’s philosophical relation to other thinkers, including Julius Evola, Nietzsche, Aleister Crowley, and Martin Buber
How the essence of Steiner’s political philosophy was reconciling the differences between individualism and rootedness, liberal egalitarianism and tradition, and occultism and ethics
How Steiner favored an economic system like distributism, over capitalism or Marxism, and decentralized local autonomy and identities, over nationalism
Robert Stark and Matt Pegas speak with filmmaker, Montgomery Markland, about his film Malibu Road, which he both directed and starred in. Malibu Road is available to watch for free on Tubi, and for purchase on Apple TV and Amazon. While the pandemic delayed Malibu Road’s theatrical release, Montgomery has further plans for multipicture deals.
“Fast living Los Angelenos are targeted by the Central Intelligence Agency during Operation Midnight Climax, part of MKUltra. The experience takes a turn for the deadly during New Year’s Eve 1960 and now a professor, a starlet and the workers at a hotel with a questionable reputation must rediscover reality or be trapped in an endless cycle of sex, drugs and murder in ‘paradise.'”
Montgomery Markland has an idiosyncratic resume. Originally from Dallas, Montgomery was a state and local reporter in Austin, worked in the Texas state legislature on policy, was then a producer, president, and CCO at a number of video game companies, before working in Hollywood. Follow Montgomery on Twitter.
Topics:
Applying videogame design principles to Cinema
The Meisner acting technique
MKUltra connections to university professors and Hollywood (eg. Irvin Keshner)
Timothy Leary’s prediction that video games had the potential to recreate psychedelic trips
The History of the Albatross Hotel in Malibu and connections to Old Hollywood
Cinemaphotographic techniques used to capture the psychedelic aesthetic
Distorting reality in stories as representations of dreams (eg. traumnovelle), and influences from David Lynch
Influence from soap operas, telenovelas, and 90s Cinemax
The set design, recreating the aesthetics of the 60s and 70s
Influences from Jungian archetypes, as well as Ancient Greek, Hindu, and Buddhist mythology (eg. Timothy Leary on the Tibetan Book of the Dead)
Hunter S. Thompson
Alfred Hitchcock’s Vertigo
Malibu Road’s filming locations, including Malibu State Park and Will Rogers State Historic Park
The politicization of entertainment, and why overtly political conservative media fails
Reasons to be optimistic about opportunities in entertainment via niche markets
The Banking crisis, Economic Death Spiral, and narratives of collapse