Category Archives: horror films

Robert Stark interviews Actor and Musician Karim Theilgaard

acting, aesthetics, Cinema, Culture, David Lynch, Denmark, Fashion, Film, Game of Thrones, horror, horror films, Karim Theilgaard, London, modeling, Music, Photography, Sam Kevorkian, Travel, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to actor and musician Karim Theilgaar. Check out his work on YouTube, Facebook, Twitter, and Instagram.

Topics:

Intro: Strangers on The Floor – Karim Theilgaard
Growing up as a Third culture kid living in Brazil, England and Denmark
Early musical influences including Abba, Michael Jackson, and Nirvana
Music video The Way We Used To Be – Karim Theilgaard 
Music Photography for Fashion Beat TV
Fashion Modeling and Karim’s fashion style
Starting out as an actor; writing and producing short films
The film Brother which Karim wrote, produced, and acted in and planned on sending to Casting Director Nina Gold for a Game of Thrones audition
The film Timeless about the dilemma of immortality
The horror film Scar Tissue where Karim played an obnoxious finance bro; comparisons to the film Saw
Karim’s upcoming films including Natsværmer and Sebi  which is “Twin Peaks on acid”

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Musician Jody Coombes of Star Noir

1980's, 80's music, Absolute Valentine, aesthetics, Art, Asia, Asian Culture, automation, Basic Income, Blade Runner, California, Cinema, Cities, Comic Books, Culture, Cyberpunk, Depeche Mode, Dystopia, England, Film, Film Noire, Florian Renner, FM-84, Futurism, History, Hong Kong, horror, horror films, Industrial Music, J.G. Michael, Japan, Japanese Culture, Jody Coombes, John Carpenter, Las Vegas, Leisure Suit Larry, London, Music, Neon, New Retro Wave, Perturbator, Photography, Psychology, Retro Futurism, Sam Kevorkian, Science Fiction, Star Noir, Stranger Things, Synthwave, The Summoner, Transhumanism, Travel, Vaporwave, Video Games, Wilderness, William Gibson

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Sam Kevorkian, and J.G. Michael talk to Illustrator, Photographer, Video Game Designer, and Musician Jody Coombes. Check out his music under the label Star Noir on Facebook and bandcamp, and his photography and illustrations on Flickr.

Topic:

Working on video games including Call of Duty and Need for Speed
Cyberpunk games such as Shadowrun and Beneath a Steel Sky
The New Retro Wave and Darkwave genres
The  Cyberpunk genre
How To Make Synthwave Retrowave with Timecop 1983 in FL Studio
The visual component in making Synth music
Jody’s first EP Psycho City
Jody’s first-ever gig in London at the Retro Future Fest
Jody’s illustrations and 80’s Retro-Futurist aesthetics
80’s Action and Horror films
80’s Video Game Arcades; London Trocadero
The new series Stranger Things and the film Drive
Jody’s photography of locations including the UK, New York, Tokyo, Hong Kong, and Nova Scotia
Sinofuturism
“Design is not art….. Design is an exercise in psychology”
Robert Stark’s Paintings which fuse Retro Futurist genres
Transhumanism, Automation, and the Basic Income
The Pilot project “Lost Future” about a man who lost his future
Upcoming projects and performances

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Michael Medaglia about his Film Deep Dark

Art, Bizarro Fiction, Blue Velvet, Cinema, comedy, Culture, David Lynch, Deep Dark, Film, horror, horror films, humor, Literature, Michael Medaglia, Portland, Sam Kevorkian, Santa Barbara, Sexuality, Surrealism, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Sam Kevorkian talk to Director Michael Medaglia about his Film Deep Dark. You can get a signed DVD as well as the screenplay on the Deep Dark Website.

Topics:

The struggling artist Hermann played by Sean McGrath who discovers a mysterious hole 
How the film is classified as horror for marketing purposes but Michael considers it to be “weird fiction”
Weird fiction writers including Kelly Link and Jeremy Robert Johnson
How the hole works
The symbolism of the hole, the Faustian Myth, and comparisons to “Little Shop of Horrors”
Giving the hole humanity
Keeping a sense of mystery for the audience by not revealing everything
Horror cliches such as holes as gateways to hell
The theme of a struggling artist and how artist can relate to the film
The absurd and comedic elements of the film
The production and cinematography of the film
Voice actress Denise Poirier who did the voice for the hole
Michael’s short films “The Ratsnitch Angel” and Kitty Kitty

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Artist Jason D’Aquino

aesthetics, Architecture, Art, Culture, David Lynch, Frank Lloyd Wright, H.P. Lovecraft, Hellraiser, horror, horror films, Iggy Pop, Jason D'Aquino, Miami, Mid-Century Modern, Pulps, Serial Killers, Surrealism, Tattoos, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to Artist JASON D’AQUINO. He is known for his Miniature Matchbook Art, drawings on found objects and vintage surfaces in graphite.

Topics:

Jason’s Kickstarter JOIN IGGY POP! Let’s Make Artists Worth More Alive for Portal del Pop
Jason’s project Portal del Pop which is a place for artist to feature and sell their art commission free
The article in the Miami Times Miami’s Weirdest Kickstarter: Art Space, Iggy Pop, and Tattooed Skin in a Jar
Jason’s friendship with Iggy Pop and his involvement with the project
The process of creating miniatures on vintage matchboxes
Themes of interest including horror films including Hellraiser, Serial Killers, David Lynch films, and mechanical pieces such as clocks, pistols, and cameras
The Making Of Twin Peaks And David Lynch Miniature Matchbook Art by Jason
Jason D’Aquino “Shilling for Eames”
Jason’s tattoo art

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Check Out Robert Stark’s Paintings!




Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

1950's, aesthetics, Aleister Crowley, Blue Velvet, Conspiracy Theories, Crime, Culture, David Bowie, David Lynch, dreams, Film, Film Noire, Gender, Hollywood, horror, horror films, humor, Jay Dyer, Kyle MacLachlan, Music, Mythology, Occultism, Pilleater, Psychology, Religion, Salvador Dali, Serial Killers, Sexuality, Surrealism, Twin Peaks, Vaporwave

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark and Richard Wolstencroft discuss The Film Dark City

1990's, aesthetics, Akira, Alex Proyas, alienation, Architecture, Art, Art Deco, Australia, Cinema, Cities, Count Isidor Fosco, Culture, Dark City, David Lynch, Dystopia, Edward Hopper, Film, Film Noire, Ghost in a Shell, Hollywood, horror, horror films, Jennifer Connelly, Metropolis, Mid-Century Modern, Mythology, Nihilism, Philosophy, Pilleater, Plato, Psychology, Retro Futurism, Richard Wolstencroft, Science Fiction, Steampunk, Surrealism, The Matrix, Utopia

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and Count Isidor Fosco, talk to filmmaker Richard Wolstencroft about the film Dark City(1998) directed by Alex Proyas.

Topics:

Australian director Alex Proyas, his background in Punk, and his style
Proyas’s films The Crow, Gods of Egypt, and Knowing
Proyas rebelling against the conformity of Hollywood Cinema
Comparisons to the Matrix which came out a year later and the theme of a meta reality
The setting of the City in a Space Ship disconnected from earth, the theme of parallel universes, and comparisons to the Truman Show
The role of “the Others” in the film; the metaphor for powerful people who manipulate reality from behind the scenes
How the others switch peoples memories and give them false memories; comparisons to Ghost in a Shell
The Gothic and Neo Noire Genres
The aesthetics of the film; Decopunk, Metropolis, Edward Hopper, and other influences
The irony of dystopian films is that they often succeed in creating utopian aesthetics
The films success in building upon the sense of mystery
The theme of man becoming a “God Like” figure restructuring society as a utopia
Plato’s allegory of the Cave and the Ship of Theseus
The symbolism of Shell Beach
The directors cut vs. the theatrical cut

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews New Retro Wave Artist Absolute Valentine

1980's, 1990's, 80's music, 90's music, Absolute Valentine, aesthetics, Akira, Andy Fox, Anime, Art, Cinema, Culture, Cyberpunk, Daft Punk, David Lynch, Depeche Mode, Film, France, Ghost in a Shell, horror, horror films, Italo Disco, John Carpenter, Kavinsky, Music, Neon, New Retro Wave, Pilleater, Synthwave, The Summoner, Vaporwave

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to French New Retro Wave Artist Absolute Valentine(Bandcamp Site). He is also a manager for Lazerdiscs Records. Check out his SoundCloud, YouTube, and Facebook Page.

Topics:

Intro Song: Bad News from the Police Heartbreaker album
Music background, learning piano as a kid, playing guitar in a metal band, and early electronic work
Influences ranging from Bach, Kavinsky, and Vangelis; similarities between Synthwave and Classical Music
The New Retro Wave genre
Producing music for Lazerdiscs Records and Drive Radio
The Darkwave genre
The Police Heartbreaker album
The Sunset Love album
The American Nightmare album inspired by Horror Films
The album cover designs, Cyperbunk influence, and the color pallet
Anime, Akira, and Ghost in a Shell
The Film Drive
John Carpenter’s Film Soundtracks
Daft Punk and 90’s French House Music
French 80’s music; Space Disco
The upcoming New Retro Wave horror film The Summoner which Absolute Valentine will do a track for
The Roland TR-7, other Synths, and the process of layering Synths
The importance of the intro and outro in Synth Music
The moniker Absolute Valentine
Upcoming Albums, Tracks, and live performances
Outro: She’s a Dancer from the Sunset Love Album


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

1980's, aesthetics, Aleister Crowley, Alicia Silverstone, Blade Runner, Carl Jung, Cinema, Conspiracy Theories, Culture, Dark City, David Bowie, David Lynch, Drugs, Dune, Enter The Void, Esoteric Hollywood, Eyes Wide Shut, Film, Film Noire, Hellraiser, Hollywood, horror, horror films, Jay Dyer, John Carpenter, Labyrinth, Literature, Media, Metropolis, Mythology, Natalie Portman, Occultism, Pilleater, Psychology, Religion, Surrealism, The Dark Crystal, They Live, Twin Peaks

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!




Robert Brenner returns to talk about his Time Square Tours

1970's, 1980's, Akira, Anime, Architecture, Art Deco, Basic Income, Blade Runner, Blue Velvet, Cinema, Cities, Cuisine, Culture, David Lynch, Erotica, Film, Film Noire, gentrification, Historic Preservation, History, horror, horror films, Japan, Japanese Culture, Josh Alan Friedman, Midnight Cowboy, Mishima A Life in Four Chapters, Neon, New York, Pilleater, Pornography, Robert Brenner, Science Fiction, Sexuality, Skyscrapers, Taxi Driver, Time Square, Urbanism, Yukio Mishima

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Robert Brenner. Robert Brenner is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.

Topics:

Robert Brenner’s upcoming Gritty Old Times Square Tour on Sunday March 19th hosted by Untapped Cities
Midnight Cowboy locales including the defunct Hotel Claridge
Taxi Driver locales including the Lyric theatre, and the notorious now defunct Terminal Bar
Pilleater’s recent observations from Time Square
How to walk like a New Yorker
The Hotel Carter, the “dirtiest hotel in America,” which is currently under renovation, and the seedy Elk Hotel which recently closed
The Knickerbocker and the New Yorker Hotel
The closure of Bond 45
The Time Square Police Station
The Time Square Subway Station(not included in the tour)
Martin Hodas, the King of the Peep Shows
Chelly Wilson, who pioneered Homosexual S&M Porn in Time Square’s Grind House Theatres
East Harlem, the last remnants of gritty old New York where Robert Brenner is researching a future tour
Josh Allan Friedman’s Tales of Times Square, published by Feral House Books
NYC That Never Was: Alternate Plans for Times Square from 1984-MAS Competition
The 1982 Horror Film Basket Case set in Time Square
Robert Brenner’s review of David Lynch’s Blue Velvet
Robert Brenner’s Tour from the Empire State Building to Penn Station for the The Municipal Art Society
The Historic Tenderloin District, which predated Time Square and is now Korea Town
Robert Brenner’s Midtown Cheap Ethnic Eats Tour every saturday for Local Expeditions
Custom and conceptual Tours
Robert Brenner’s article Will Robots Take Our Jobs?
Sex Robots and Virtual Sex
Movie Review: Japanese Musicals, the Beyond Godzilla series about Japanese Science Fiction, and the manga Akira


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This show is brought to you by Robert Stark’s Paintings!




 

Robert Stark interviews Musician En Esch

90's music, aesthetics, alienation, Animal Cruelty, animals, Culture, En Esch, Germany, Hellraiser, horror, horror films, humor, Industrial Music, Introversion, J.G. Michael, KMFDM, Laibach, Music, Pilleater, Rammstein, Spree Shootings

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, Pilleater and J.G Michaels interview EN ESCH. En Esch was an original member of the pioneering industrial band, KMFDM. He is also in his own band, Slick Idiot, and toured with Pigface. En Esch’s recently released a new album, Trash Chic.

Topics:

En Esch’s interest in music and beginnings in KMFDM, Slick Idiot
En Esch’s early influences, Goth and Queer culture, Deutsch Amerikanische Freundschaft
The politics of East and West Germany
“Xcess” in True Love, and “Ooh La La” in Hellraiser 3
The politically imagery used in KMFDM (the art of Aidan Hughes), Laibach, Dunkelwerk, Hanzel und Gretyl
Atari Teenage Riot, left-wing vs. right-wing imagery and sound, May Day
The Columbine Massacre, the controversy behind KMFDM’s song, “Waste,” YouTube comments about KMFDM’s association with school shootings
En Esch’s new album, Trash Chic
KMFDM’s influence over Rammstein
Modern Industrial musics vs. old style Industrial (Die Krupps)
How En Esch makes music, Nightcore vs. Vaporwave
Five letter codes, Covers, the funky infulence in En Esch’s music
En Esch’s advocation for animal rights, his vegetarian lifestyle
The origin behind Slick Idiot
The music market, downloading and streaming
The Raymond Watts / En Esch / Günter Schulz / Mona Mur KMFDM
Peter Murphy, Humor behind En Esch’s music
Introversion/Social Anxiety, and music as an outlet to express one’s self
Backing singers
En Esch’s future activities


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Check out Robert Stark’s Paintings!