Category Archives: Aleister Crowley

Aristocratic Aesthetic Socialism

By Robert Stark: Originally Published on Alt of Center

The concept of beauty throughout history has been a force for creation, inspiring mankind to reach the pinnacle of civilization. From men accomplishing great things to win over a lover, the beautiful female as a muse for the artist, religions building great temples and cathedrals to attract worshipers, kings and emperors building monuments to demonstrate their greatness, and businesses using aesthetics in architecture and advertisements to attract more consumers.

In today’s society aesthetics serves primarily as a force to manipulate people to keep them striving and conforming to the liberal capitalist system. Advertisements use aesthetics to create a vision of a product to consume; not just the product itself but an overall aesthetically pleasing scene involving beautiful women, luxurious furnishings, great architecture, natural scenery, and music to create the mood.

Continue reading Aristocratic Aesthetic Socialism

Robert Stark talks to Ashley Messinger about Roger Blackstone & The Politics of AESTHETICS

 

 

 

 

 

 

 

 

 

 

 

 

Roger Blackstone is a fictional presidential candidate in Robert Stark’s novel Journey to Vapor Island.

Topics:

Ashley’s article Roger Blackstone: The Politics of Aesthetics
Roger Blackstone’s ideology as a psychedelic futurist form of social nationalism
Roger Blackstone utilizing capitalism as a real estate mogul to rise to power
Roger Blackstone’s Utopian visions in contrast with Trump who has been a major disappointment
Roger Blackstone’s campaign commercial
“Advancing civilization and furthering human progress” implies a rejection of the NRx reading of history (inverted Whig view) and assumes that some forms of progress are actually meaningful
Basing political ideology on aesthetic values
New Urbanism and the necessity of creating aesthetically pleasant living spaces
The idea that simple libertarianism is just not enough and we need to create intentional communities for every possible group
The 1980’s Retro Futuristic theme; “Neon Nationalism”
Roger Blackstone’s idea of making humans, rather than just art and architecture, the subject of aesthetic concern
Roger’s Blackstone’s economic views and support for a basic income
The power to completely re-engineer the human genome to enhance human potential(Transhumanism)
The book The Chemical Muse about the prevalence of drugs(especially entheogens) in pre-modern societies, and the importance of drug use to a lot of artists and anti-conformists
Roger Blackstone’s father Alistair and his manifesto “Why The True Aristocrat Must Rule”
The notion of a natural aristocracy(ex. Ralph Waldo Emerson and HL Mencken)
The term “Aristocratic Radicalism” pops up, which has been used to describe Friedrich Nietzsche’s philosophy
Similarities to Alistair Crowley’s concept of “Aristocratic Communism,” where society is geared towards empowering those who are naturally non-conformists, artists, and intellectuals
There is some evidence that Alistair is sympathetic to distributive economic philosophies, because capitalism has this stifling effect on the creative class
The mock presidential debate scene where Noam has to represent Roger Blackstone against the Democrat, Republican, and Libertarian
The growing trend of political fusionism
The importance of using fiction to influence political discourse

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This show is brought to you by Robert Stark’s Paintings and his novel Journey to Vapor Island




Robert Stark talks to Richard Wolstencroft about his new film The Second Coming Volume II

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark talks to director Richard Wolstencroft about his new film The Second Coming Volume II. Volume I is free to view on Vimeo.

Topics:

Intro: Johnny Tyler – God’s Gonna Turn Us To Dust
The film’s inspiration from the poem The Second Coming by William Butler Yeats and the film’s segments based on passages from the poem
“A low budget epic”
The film’s influences including Kenneth Anger, Andy Warhol, Lars Von Trier’s Dogma, Godard’s My Life To Live, and Terrence Malick
The film’s aesthetic
The film’s theme of man trying to usher in the Apocalypse
The conflict between the black magicians and the white magicians
Aleister Crowley and Occultism
“Charles Manson put a curse on Western Civilization”
Cameos by Jim Goad, Boyd Rice, and Adam Parfrey
Music by David Thrussell and old Country Western Music
Filming locales including Thailand, Australia, LA, Switzerland, Barcelona, and London

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Jamie Curcio about Narrative Machines

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Sam Kevorkian, and J.G. Michael talk to Jamie Curcio about his new book Narrative Machines: Modern Myth, Revolution, & Propaganda. Jamie is an Artist, Writer, and Musician, and blogs at Modern Mythology.

Topics:

Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truths
Hobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politically
Interrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister Crowley
David Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media

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This show is brought to you by Robert Stark’s Paintings!




Robert Stark talks to Director Richard Wolstencroft about The New Twin Peaks

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, J.G. Michael, and Count Isidor Fosco are joined with filmmaker Richard Wolstencroft live from the Black Lodge to talk about the new Twin Peaks series and how it compares to the original.

Topics:

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

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Robert Stark talks to Jay Dyer about Esoteric Twin Peaks

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer about the Esoteric Symbolism behind David Lynch’s Twin Peaks and the new series on Showtime. Jay writes film reviews at Jay’s Analysis and is the author of Jay Dyer’s Esoteric Hollywood

Topics:

Intro Song: The Northern Lights – Falling (feat. Lucy Black)
‎Jay’s article An Esoteric Guide to Twin Peaks
The New Twin Peaks series and how it compares to the original
The prequel film Fire Walk With Me (1992) which reveals the murder mystery aspect of the plot
Twin Peaks’ transition from a Soap Opera parody to a Dark Comedy and then a Surreal Horror
David Lynch’s success in giving clues and keeping the audience in mystery and suspense
Film Noire, the 1950’s theme, and David Lynch’s interest in fusing eras and genres
Themes of dreams and the subconscious
Surrealist influences and David Lynch’s documentary Surrealist Cinema
The role of organized crime in the series
Themes of Conspiracy Theories and the Deep State
Co-creator Mark Frost’s book The Secret History of Twin Peaks
Themes of Occultism
References to Tibetan Buddhism and Native America Mythology
Super Natural Themes; The evil and benign spirits and Killer Bob’s possession of people’s bodies to commit murder
The Black Lodge, the White Lodge, and Glastonbury Grove which is the portal
The aesthetics and symbolism of the “Red Room” and whether it is the Black Lodge or a portal between the worlds
Cooper’s evil version(doppelgänger); Cooper’s escape from the Black Lodge in the new series
How the series is more about Agent Dale Cooper’s journey to the Black Loge then the murder mystery of Laura Palmer
Jay’s expectations for the new series


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Shaun Partridge

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Shaun Partridge. He is a musician and co-founder of The Partridge Family Temple. He blogs at shaunpartridge.com and runs Shaun TV on Youtube.

Topics:

Intro Song: B Magic
The background story of The Partridge Family Temple
The Partridge Family Show and it’s inspiration for the Temple
Troll culture; Boyd Rice wearing a rape shirt in front of a giant troll poster for Answer Me! in the 90’s
Shaun’s article “Rape is Love” for Answer Me!’s “Rape Edition,” Boyd Rice’s piece “Revolt against Penis Envy,” and Peter Sotos’s article and books
Shaun’s music for BOYD RICE’S HATESVILLE
Adam Parfrey’s Apocalypse Culture and the Temple’s work for Adam’s art show “Occult Rapture”
Vice’s review of Shaun’s work; The unpop sound
Monty Python’s The Rutles
The power of dreams and Carl Jung as an artist
Shaun’s comedic dreams, including a Seinfeld episode, and Pilleater’s dream sequence in his Novella “Trip”
Surreal humour; Tim and Eric and Sam Hyde’s Million Dollar Extreme
Occult Mysticism in the Wizard of Oz, Alice and Wonderland, Better Call Saul, and Mad Men
Josh Simmons introduces The White Rhinoceros
The power of Psychedelic drugs; out of body and other worldly experiences
Pop Art inspired by Corporate logos by Whale Song Partridge
The Temple Doctrine; “Fun is the Law”
David Cassidy’s reaction to the Partridge Family Temple


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jay Dyer about Esoteric Hollywood

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jay Dyer. He reviews films at his blog Jay’s Analysis and is the author of Esoteric Hollywood.

Topics:

The entertainment complex and deciphering propaganda
The power of cinematography and aesthetics in film
How computer generated special effects have impacted the quality of cinema
The concept of the Hollywood establishment and speculations about which filmmakers and films are anti-establishment
Why Jay focuses on the symbolism of the films rather then trying to analyse the director’s motive
Stanley Kubrick’s Eyes Wide Shut
David Lynch’s Dune, Eraserhead, Inland Empire, and Lost Highway
Surrealism, Neo-noir, and the David Lynch aesthetic
Jay’s review of David Lynch’s Twin Peaks and Mark Frost’s book The Secret History of Twin Peaks
The Ancient Greek concept of time  being a never ending repeat
The Folk Horror Genre; The Devil Rides Out
Blade Runner
Dark City
Enter the Void
The Dark Crystal
The film Labyrinth, the Jungian achetype of the Labyrinth as the subconscious, and the Labyrinth in Ancient Mythology
The Labyrinth theme in The Shining and Hellbound: Hellraiser II
The symbolism of basements as the subconscious in the films House II and The Hole
The Esoteric Meaning of Time Bandits and the significance of the abyss
Robert Stark’s show about Alicia Silverstone and The Film The Babysitter
Natalie Portman in Léon: The Professional
John Carpenter’s They Live! and Big Trouble in Little China
Jay’s upcoming TV Show with Jay Weidner, which will be aired online at www.Gaia.com


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Jasun Horsley

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Jasun Horsley. He blogs at AUTICULTURE and runs the site Confessions of a Movie Autist

Topics:

Personal experiences with Autism and Aspergers
How society treats people with Aspergers; human alien hybrids
Non-conformity and rejection of social programs
Evolution and Epigenetics
Jasun’s book Homo Serpiens: A Secret History of DNA from Eden to Armageddon, written under the alias Aeolus Kephas
Online subcultures; 4chan culture and Aspergers
The autistic anime reality vision
The occult and meme magic
Jasun’s interest in the Occult as a way to break free from the socially enforced distortion of reality, but latter found it to be an illusion of freedom
How architecture and geography effects psychology
Jasun’s artwork
Jasun’s latest book Seen and Not Seen: Confessions of a Movie Autist
The film Taxi Driver, Travis Bickle as autistic, and the theme of alienation, and violence as a quest for identity
David Lynch’s film Blue Velvet , identifying with Frank Booth, and confronting ones own darkness
Dating advice
Traveling abroad and personal experiences with foreign cultures


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This show is brought to you by Robert Stark’s Paintings!




Robert Stark interviews Adam Parfrey

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and J.G. Michael talks to Adam Parfrey. He is the publisher of Feral House books.

Topics

Opening Song: Adam Parfrey – Rubber Room (Porter Wagoner Cover)
The history behind Feral House books.
Apocalypse Culture
Taboo ideas, shock value, avant-garde art
Jim Goad’s Answer Me!
Joseph P Farrell
Anton LaVey and The Church of Satan
You Will Die and You Can’t Win
American Hardcore
Hipster Hitler
It’s A Man’s World
Killer Fiction, The Gates of Janus, Charles Manson
Ed Wood: Nightmare of Ecstasy
David Cole’s Republican Party Animal
Sin-A-Rama,
Technological Slavery
The Weird World of Eerie Publications
Pacific Ocean Park, Mid-Century Googie architecture
Ye-Ye Girls
Peter Sotos’ Pure Filth Pure Filth about pornographer Jamie Gillis
Experiences with Censorship
Occultism; The book Secret Agent 666 about Aleister Crowley
Adam Parfrey’s play “The Wickedest Man in the World” about Gilles de Rais
Tales of Times Square by Josh Alan Friedman
Citizen Keane by Adam Parfrey
Adam Parfrey’s father actor Woodrow Parfrey; Dirty Harry
Art, and the aesthetics of Feral House’s books
Why Feral House publishes exclusively Non-Fiction


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Check out Robert Stark’s Paintings!