Category Archives: James O’Meara

Part I: Interview with James O’Meara about Green Nazis in Space

Green Nazis in Space

 

 

 

 

 

 

 

 

 

 

Robert Stark, Rabbit, & Alex von Goldstein talk to James  O’Meara about his new book Green Nazis in Space  published by Counter-Currents Publishing. James O’Meara is also the author of The Homo and the NegroThe Eldritch Evola and Others, and End of an Era: Mad Men and the Ordeal of Civility

Topics include:
The Rise & Fall of the Männerbund in Pre-War American Pop Culture
Jeffrey P. Dennis’s We Boys Together: Teenagers in Love Before Girl-Craziness
Changing depictions of masculinity in film and how male bonding has become equated with homosexuality
“That’s so 80’s”
Depictions of road trips in film such as National Lampoon’s Vacation, and it’s decline
Depictions of the future in film
Reflections on Sartorial Fascism and the decline of male fashion
Michel Houellebecq’s anti-sexual utopia
Thoughts on Islam, and how the Arab and Islamic world once produced great culture but has been corrupted by Oil Rich Gulf State Wahhabis
“The Gilmore Girls Occupy Wall Street” and James Howard Kunstler
Steve Sailer’s article on Boulder, Colorado about liberal white utopias
The Old Gay House: James’s review of A Passion to Preserve: Gay Men as Keepers of Culture


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Robert Stark interviews Paul Bingham about Black House Rocked & Cultural Trends

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Topics include:

Paul’s Novel Black House Rocked which Robert interviewed Paul’s co-author Emril Krestle about
How almost everything in the story was based on real life events
How the protagonist’s story was inspired by a friend of Paul’s who was falsely convicted of Child Molestation
Why Paul picked a character who was at the bottom of society
How Paul see’s his characters as willing to pay the price for their qualities
The cultural and political topics covered in the book
The setting the book, an economically decimated community in the Ozarks
The Fabian concept of a commuter town which led to modern lifeless bedroom communities
Why the culture of Flyover country should not be fetishized
How despite regional differences the media sets the culture and values in America
Paul’s view that the Alternative Right tends fosters a critique of society without producing any goals or culture
The Poet & The Cat, how Paul gives Robert credit for it’s inception, and production, and how he wrote the script when he was drunk, broken down, in the middle of the night
James O’meara Reviews The Poet & The Cat
The writer Taylor Caldwell
How the theme of theme of nihilism and viewing society as empty is nothing new(ex. Dostoevsky)
Cicero
The concept of dying with honor
How the bloodshed and violence of the middle east has produced great poetry and literature
Saddam Hussein’s literary work and why Paul want’s to see it translated into English and made widespread
Black humor and finding humor in the worst situations
Paul’s theory of generations; Millennials versus the younger generation who are still in their teens
How the 1980’s was the last decade of cultural innovation in music
How Rap has always been about selling out since it left the streets
The genre of angry rock in the 90’s that died off after the Columbine Massacre
James O’Meara view of acceptable versus unacceptable homosexuality
Paul’s view of the German band Rammstein as an example of unacceptable homosexuality
John Houston’s critique of Tennessee William’s play The Night of the Iguana from his memiors
The “Wiggerfication” of Country Music and Rednecks
How the lack of real life experiences leads to the sterility of the culture
The film  Winter’s Bone which is set in the Ozarks like Paul’s book
How Paul views Robert Stark as one of the few truly independent journalist


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Robert Stark interviews The Truth Will Live about Cultural & Aesthetic Decline

Photo on 5-12-15 at 5.00 PM #2

 

 

 

 

 

 

 

 

 

 

 

 

Topics include:

Her Art History Major in College
Her take on modern art and how it was innovative at first but has become repetitive
Why the mainstream right has little interest in arts, culture, and aesthetics
The decline of cities and the creation of bland suburbs
How mainstream conservative view the destruction of historic communities as part of the “free market”
How the Alternative Right attracts creative types and takes a more Eurocentric outlook
Why the people  and culture is more important than economics in having a successful society
How there is something Spiritual and Transcendent about aesthetic beauty
Anarcho Tyranny which is an imposed standard of no standards
How standards in fashion have declined
How the upper class are emulating the aesthetic standards of the proletariat
The role of Aesthetics in Judaism and Jewish Culture

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This show is brought to you by Robert Stark’s Artwork

James O’meara Reviews The Poet & The Cat

The Poet & The Cat 

Directed by Robert Stark

Written by Paul Bingham

Staring: Robert Stark & Charles E. Lincoln II

 

If you’re a fan of losers and serial killers, and enjoy the alt-Right despaircore writings of Andy Nowicki or Paul Bingham, you’ve probably said, “Gee, I wish I could visit them at home, see them writing away on a rickety plywood table under the light in the kitchen, interacting with their cat and drinking a glass of Two Buck Chuck!”

Well, thanks to Robert Stark, and YouTube, now you can!

The Poet & The Cat is stars Robert as the poet undergoing a quarter-life crisis (which is a new one on me, but apparently is a thing), and Charles E. Lincoln II is the cat; that is, the voice of the cat, who sounds distractingly like Judaic radio show crank Mark Levin, especially when he starts ranting in German.  The cat, I mean.

It’s fun to see Robert bring the poetry-scribbling loser to life, and the cat is a hoot as he ventriloquizes Bingham’s bleak worldview.

 

“You’re like a woman, you know.  You come at me shadowboxing, both paws extended; only then do the claws come out, and dig in so deeply.”

 

The “feline Mephistopheles” insistently tries to draw the poet’s thoughts from working his ordinary life problems into art and toward mass murder as the real path to fame, money and women; while constantly becoming distracted by the urge to hunt a mouse or complain about having been fixed.

 

“Just move like a cat. You’re good at that.  All you girlfriends say you can be a creep.”

 

Suffering weltschmerz after reading too many Hopeless Books?  Feeling like a Delta Male after checking out too many man-o-sphere blogs?  Ignore that clickbait at Salon or HuffPo, and go here for a quarter-hour of someone else’s entertaining quarterlife crisis.

Part II: Robert Stark interviews James O’Meara about Houellebecq

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Michel Houellebecq Sexual Anti-Utopia “The Elementary Articles”

How societal ties have become atomized

The Rise & Fall of the Männerbund in Pre-War American Pop Culture a review of Jeffrey P. Dennis’s “We Boys Together: Teenagers in Love before Girl-Craziness”

Homosexuals as creators of culture

How Homosexual masculinity was historically superior to the effeminate womanizers

Karl Marx’s theory on how if you redistribute wealth without fundamentally changing society you end up with the same problems

 

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Part I: Robert Stark interviews James O’Meara about The Eldritch Evola & Others

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Topics include:

His recent book “The Eldritch Evola & Others: Traditionalist Meditations on Literature, Art, and Culture”

Why Traditionalist must create something new based on fundamental principles instead of trying to re-create the past

How if you try to recreate the past you end up back where we are today

H.P. Lovecraft and his horrific visions of the future

How the worse thing that could happen has already happened

 

 

 

 

 

Robert Stark Interviews James J. O’Meara

 

 

 

 

 

 

 

 

 

 

Robert Stark interviews James J. O’Meara about his new Counter-Currents title The Homo and the Negro: Masculinist Meditations on Politics and Popular Culture. Topics discussed include:

How the book came about
The title and title essay
The sense in which O’Meara is a Traditionalist
The concept of Gonzo Traditionalism
Different contemporary models of homosexuality
O’Meara’s critique of the modern “gay” identity
O’Meara’s critique of “gay marriage”
How traditional societies harmonized same-sex attractions with “family values”
How homosexuals in traditional societies have been culture creators and conservers, as opposed to modern “gays” and their role in culture distortion and destruction
The role of all-male groups in the creation of civilization
How Right-wing, Judeo-Christian homophobia causes the breakdown of all-male groups
Why culture, creativity, manners, intelligence, and education today are now disdained as “gay”
Why uncultured oafs — rednecks, black thugs, etc. — are treated as authentically masculine archetypes
How homophobia makes the modern Right stupid, dull, and grungy
William F. Buckley
American architect Ralph Adams Cram
Noël Coward
Oscar Wilde
Homosexuality in traditional Muslim and Hindu societies
Alain Daniélou
O’Meara’s essay “The Gilmore Girls Occupy Wall Street”
Homosexuality and National Socialism
They Live
White popular music and O’Meara’s defense of Aryan New Age music

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