Category Archives: Pornography

Robert Stark interviews Adam Parfrey

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Pilleater, and J.G. Michael talks to Adam Parfrey. He is the publisher of Feral House books.

Topics

Opening Song: Adam Parfrey – Rubber Room (Porter Wagoner Cover)
The history behind Feral House books.
Apocalypse Culture
Taboo ideas, shock value, avant-garde art
Jim Goad’s Answer Me!
Joseph P Farrell
Anton LaVey and The Church of Satan
You Will Die and You Can’t Win
American Hardcore
Hipster Hitler
It’s A Man’s World
Killer Fiction, The Gates of Janus, Charles Manson
Ed Wood: Nightmare of Ecstasy
David Cole’s Republican Party Animal
Sin-A-Rama,
Technological Slavery
The Weird World of Eerie Publications
Pacific Ocean Park, Mid-Century Googie architecture
Ye-Ye Girls
Peter Sotos’ Pure Filth Pure Filth about pornographer Jamie Gillis
Experiences with Censorship
Occultism; The book Secret Agent 666 about Aleister Crowley
Adam Parfrey’s play “The Wickedest Man in the World” about Gilles de Rais
Tales of Times Square by Josh Alan Friedman
Citizen Keane by Adam Parfrey
Adam Parfrey’s father actor Woodrow Parfrey; Dirty Harry
Art, and the aesthetics of Feral House’s books
Why Feral House publishes exclusively Non-Fiction


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The Return of Rabbit!

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Co-host Pilleater talk to Rabbit. Rabbit blogs at AltLeft.com

Topics:

Robert and Pilleater’s upcoming show on the film The Crush
Rabbit’s article Porky’s Pathological Altruism, the death of Porky’s Director by an Illegal Immigrant drunk driver, and the cultural themes in the film
The portrayal of sex in the film, Kim Cattrall, the mysticism of girls locker room, and the demise of showering in High School
The 1950’s nostalgia in the 80’s, the recent film The Founder, and the animated neon sign in Porky’s
Rabbit’s experience growing up in the 80’s, 80’s fantasy films The Dark Crystal, and The Secret of NIMH
Rabbit’s interest in 60’s Mod culture
Robert Stark and Rabbit trip to Las Vegas, and Robert’s show on Vintage Vegas with Lynn Zook
Las Vegas as a Retro Futurist fantasy world, how a place can have different meanings to different people, Evel Knievel at Caesar’s Palace, the Frog Slot Macine, and the Asian Aryan aesthetic to the Wynn
Rabbit’s article BackPage’s Greatest Hits about the shutdown of BackPage, and the sites’s comic relief
Peter Sotos’ book Index about adult reviews
Rabbit’s point that society pushes deviate sex acts but than criminalizes people for acting out on them
Rabbit’s article The AltLeft “Tea Party” about the the Alt-Left drama and eccentric characters, what originally attracted him to it, and his critique of the Right
The 1972 film Alice’s Adventures in Wonderland, which inspired Rabbit’s moniker


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Robert Stark interviews The Adventure Kid

Robert Stark and Co-host Pilleater talk to the Adventure Kid. His Moniker is based on the erotic manga series Adventure Kid. The Adventure Kid describes himself as a Locofoco, Jeffersonian, Red Tory, Christian anarchist. and Socially Conservative Socialist

Topics:

Robert and Pilleater discuss the films The Amazing Panda Adventure, and The Crush with Alicia Silverstone
Pilleater’s youtube interview with The Adventure Kid
The Adventure Kid’s interest in Anime, and the avant garde anime of the 70’s and 80’s vs. the “disneyfied” anime of today
The Anime Angel Cop, which has fascist themes
Batman: The Animated Series as the Adventure Kid’s ideal utopian society, and the Art Deco, Film Noire, aesthetic
Art, Architecture, Peter Moruzzi’s book Classic Dining: Discovering America’s Finest Mid-Century Restaurants
Old School R & B, Bobby Brown’s Korean love interest in New Edition’s If It Isn’t Love, and “Death and the Maiden” (The Verlaines song)
Alt porn, Porn stars Nina Hartley, Mia Khalifa, Nadia Ali, Bailey Li, Priya Anjali Rai all of which have made x-rated movies like those shown on https://www.hdpornvideo.xxx/, and Robert’s favorite erotic model Emily Bloom. He’s also parital to tuning into some of the live cam girls shows over on Babestation when the mood takes him; Hannah is one of his favourites, see here – babestation.tv/girls/hannah-claydon. Part of what attracts him to Babestation, apart from the girls (of course), is the ineractivity.
Avant Garde filmmakers Gaspar Noé, Harmony Korine, Alejandro Jodorowsky, and John Waters
Kerry Bolton’s Artists of the Right, Wyndham Lewis, and Italian Futurism
The origins of the Alt-Right in Avant Garde Culture
How The Adventure Kid’s views have evolved since starting out as an SJW Obama supporter
The Alt-Right, Alt-Left, Anarchism, and why the Adventure Kid does not want to be pinned down to one movement, and considers himself a man of multiple movements
The Adventure Kid’s interest in Counter-Currents and Keith Preston’s Attack the System
Bill Kauffman, the America First movement, and the early 20th Century Populist Movement including Robert M. La Follette
The Adventure Kid’s Black Identity, assimilationist vs. Black Nationalist, Afro-Asianism, and how that relates to his interest in the Alt-Right
Social Conservatism and Christianity
The Adventure Kid’s Left leaning views on the Environment, Drug Legalization, Banking, and Healthcare
Donald Trump, and why the Adventure Kid supported him primarily because of trade and immigration, and where he is disappointed with Trump
Economic automation, Robots as a solution to mass immigration, and the need for a basic income


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Robert Stark interviews Italian Eurobeat Artist Bratt Sinclaire

 

 

 

 

 

 

 

 

Robert Stark and Pilleater interview Eurobeat producer Bratt Sinclaire. Sinclaire is one of the pioneers of the Italian-made, Japanese dance genre of music, Eurobeat. Some of his famous songs include, “Night of Fire,” “Boom Boom Fire,” and “Tora Tora Tora.” He operates his own label, SinclaireStyle.

Topics:

Sinclaire’s interest in music and his early influences
His original preference for Rock and Metal and how he got into Dance Music
His first band Layout, his work with Bulldozer, Alberto Contini and Dave Rogers
Virginelle’s “Tango Tango,” “King and Queen” by King and Queen
The history of Italo-Disco and the evolution of Eurobeat, the similar production styles
Ken Laszlo, Brian Ice, Aleph.
The making of Eurobeat music, the controversy behind publishing “Burning Love”
The Japanese term “Eurobeat,” and success of Eurobeat in Japan, the trend of it
Sinclaire’s music appearing in the anime, Initial D
P.E.P.E’s Shilday, Sam Hyde’s Twitter account, “Night of Fire,” “Running in the 90s,” appearing on the site YTMND.com
Butch Battlexe, Sinclaire’s Hypertechno, Metal Minded Maniac’s, “F.A.Y.”
Sinclaire’s recent live show in Japan with singer Dejo
The demographics that listen to Eurobeat, Ganguro/Gyaru culture
Pilleater’s Asian girlfriends who were into Eurobeat
The significance of Dejo’s sining and Sinclaire’s music, Clara Moroni, Elena Gobbi
Eurobeat song lyrics, Japanese vs. European visual aesthetics
Eurobeat American fans: Initial P, Diskowarp records, Odyssey Eurobeat
The authentic Asian club scene vs. The American anime/cosplay scene
The Akihabara District in Tokyo, which tranformed from a music to manga district, comparison to the movie Blade Runner
The Super Eurobeat series, the creation of the Sinclaire Style label, and how Sinclaire makes Eurobeat
Music Soundtrack for Porn Films

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Robert Stark talks to Pilleater about Kaze to Ki no Uta, Avant Garde Art, & Philosophy

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk about the manga and anime, Kaze to Ki no Uta (The Poem of the Wind and the Trees) and themes of sexuality compared to other works of experimental art.

Topics:

Pilleater’s The Poem of The Wind and Trees Documentary
The setting of Kaze to Ki no Uta at a boarding school in Provence, France in the late 19th century
The aesthetic of the film, the Art Nouveau influence, and the Japanese interpretation of the 19th Century European Aesthetic
The art of Mineo Maya, and Patalliro’s “queer” Asian Aryan Aesthetic in contrast with Kaze to Ki nu Uta’s artistocratic one
Sexuality in Anime, the Yaoi and Shōnen-ai genres of manga, it’s controversial themes of crossdressing, homosexuality, and youth, and the large female fan base of the genre
Youth and Sexuality, capturing innocence in art, and adults longing for eternal youth
Japanese vs. Western attitudes toward sexuality and art
Other controversial yaoi’s, Okane Ga Nai (No Money) and Henshin Dekinai
Fascist themes in Manga
Japanese erotic art, Hajime Sorayama‘s robot erotica, Namio Harukawa‘s dominatrix, and controversial photographer Garo Aida
The Debate about what is Art and what is Erotica, degenerate art vs. ethically pleasing innocent art, photographer David Hamilton
Yukio Mishima’s Madame de Sade and Confessions of a Mask
The Amazing Panda Adventure, an Asian Aryan Love Story
Lasse Nielsen’s films You Are Not Alone, and Could We Maybe, as a European version of the Yaoi genre
Peter Sotos’ Selfish, Little, and photographer Will McBride
Why the 70’s and 80’s were a unique era in producing Avant Garde Art
The Left Wing of the Alt-Right
The Männerbund
Art and Aesthetics as a way to create a vision for a utopian society
Aristocratic Individualism, and how being a product of post modernism can allow one the freedom to start over from scratch, and come up with ones own utopian vision
How institutions such schools, corporations, and the media manipulate psychosocial values, and the pressure to conform to “normie” values

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Robert Stark interviews Robert Brenner about his Gritty Old Time Square Tours

Robert Stark and co-host Pilleater interview Robert Brenner. Robert is a writer, critic, satirist, futurist, urbanist, and porkatarian. His work has appeared in the Huffington Post, New York Magazine, Salon, the Barnes & Noble Review, Medium, Different Truths, Antiserious, and Theory In Action. He is a graduate of the Writers’ Institute at CUNY.

Topics:

Robert Brenner’s Gritty Old Times Square tours, which are offered on Saturday’s once a Month, hosted by Untapped Cities
Adult Entertainment is the focus of the tours, but they also cover the general history of Time Square
The remnants of seedy Time Square, including The Playpen, and the Show World Center on Eighth Avenue
Robert Brenner’s experience in Time Square as a youth in the 70’s
That era of Time Square portrayed in the Films Taxi Driver and Midnight Cowboy
The gentrification of Time Square in the 90’s, and how the area went from an interesting but dangerous area to a safe and boring one
The Deuce on 42nd Street, which was the center of adult entertainment in the 70’s
The Porn Industry in Time Square, and premier of 70’s porn films such as Behind the Green Door and Deep Throat that paved the way for the future of the pornographic industry, spawning many different adult sites, live cam sites, and even the Babestation blog.
Robert Brenner’s point that every city needs a Red Light District
Peter Sotos’s Pure Filth about the pornographer Jamie Gillis
San Francisco’s Tenderloin, where Robert Brenner lived in the early 80’s, and Robert Stark’s observations from his trip to the San Francisco Bay Area
The decline of neon signage in favor of LED, Robert Stark’s interview with Thomas Rinaldi of New York Neon, and the company LET THERE BE NEON! which restores old signs
The history of the Broadway Theater District, the New Amsterdam Theatre, and the defunct Paramount Theatre
The closing of Carnegie Deli and Maxie’s Delicatessen
The Bond Clothing Store Signs in Times Square
The John Portman designed Marriott Marquis in Time Square
The Tour of the Remnants of Penn Station, and plans for Moynihan Station inspired by the old Penn Station
New York Skyscrapers


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Robert Stark and Pilleater talk about the Film Salò

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Robert Stark and Pilleater talk about the film Salò, or the 120 Days of Sodom, directed by Pier Paolo Pasolini

Topics include:

The film was based on the book 120 Days of Sodom, written in 1785 by the Marquis de Sade, and was even more extreme than the film
De Sade’s nihilistic anarchic philosophy towards sex, in contrast with today’s society, which has replaced traditional morality with new moral codes rather than De Sade’s libertinism
How each generation tries to shock their elders, and how de Sade,’s work is shocking even by today’s standards
The book Sade by Jonathan Bowden
Kerry Bolton’s book The Psychotic Left
Ian Brady’s The Gates of Janus: Serial Killing and Its Analysis
Censorship, Sade’s imprisonment for his writings, and the banning of the film in Australia
Author Peter Sotos, who has been compared to de Sade, and also prosecuted for obscenities
Photographer Will McBride, who Sotos has written about, the censorship of his Sex Ed book Show Me!, his art book Coming of Age, and Lasse Nielsen’s films
The theme of adolescent sexuality, innocence, and the desecration innocence
Avant Garde filmmakers Harmony KorineLarry ClarkKenneth Anger, and Nagisa Oshima
Larry Clark’s film Kids
Brooke Shields in the film Pretty Baby
The portrayal and theme of Fascism in the film, and the line “the fascist are the true anarchist.”
Pasolini’s political and cultural views, and his Catholic Paganism
Pasolini’s homosexuality, his love affair with teenage Ninetto Davoli, who was in Salò, and depictions of homo eroticism in the film
Race play in sex, the Nazi S&M Film The Night Porter, and sado-masochist themes in films dealing with political and racial taboos
The film Hard Candy, which is Salò in reverse, but fits within the politically correct narrative
The dominant submissive paradigm in human sexuality
Eli Roth’s torture porn Hostel series
How we have become detached from violence and death in real life, and seek it out in film
The theme of sex as power
The other worldly transcendental aspect to sex

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Robert Stark interviews Pilleater about Music & Manga

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Robert Stark and Alex von Goldstein talk to Pilleater. Pilleater is a college student, internet artist, musician, and blogs at Mineo Maya Fanclub. You can find his music at pizzadogstudios, pso119, and kingtrode.

Topics include:

The intro song, pissedoffindianman by Pilleater , which features clips of Jared Taylor
Jared Taylor’s Shadows of the Rising Sun: A Critical View of the Japanese Miracle(1983)
How Pilleater was exposed to electronic music at a young age, and became a Chiptune musician at age 16 as DJ Qudo
Latter on Pilleater got into Noise music, such as Whitehouse, and Digital hardcore bands, such as Atari Teenage Riot, and KMFDM, who are controversial due to the Columbine Shooters
Oneohtrix Point Never, who was the forerunner to Vaporwave
Japanese Pornography similar to what you might see at websites such as teeni, and Pilleater’s point that it has a nationalist communal nature
The Ganguro culture in Japan, where girls tan their skin and bleach their hair, and is common in porn
Pilleater’s favorite music genre Eurobeat from the 90’s, it’s popularity in Japan, his favorite artist Bratt Sinclaire, Sinclaire’s song Running in the 90’s, and it’s origins from Italo disco from the 80’s
Generic Euro Dance(ex. Aqua and Dj Sammy)
The Italo disco song Shadilay, which came out in the 80’s by a band P.E.P.E with a frog on it’s album cover, and it’s esoteric Lyrics
Examples of Italo Disco include the global sensation Baltimora’s Tarzan Boy, and Pilleaters favorites, BRIAN ICE – Talking to the night, Eddy Huntington – Up And Down, and Lama – Love on the rocks
The New Retro Wave Genre of music that emerged in the mid 2000’s, inspired by 80’s New Wave and Italo Disco(ex. FM Attack, Lifelike – So Electric, Electric Youth, College, Kavinsky)
The French House band Daft Punk and their use of anime
Chicago house music
Vaporwave, and it’s nostalgia for William Gibson’s Neuromancer’s Japan
William Gibson’s Idoru
The anime film Akira(1988), set in a post apocalyptic Japan, and how it’s influenced Vaporwave, Cyberpunk, and New Retro Wave
The manga Patalliro!, about a ten year old cross dressing king, it’s colorful Art Nouveau aesthetic, it’s influence from
H. P. Lovecraft, and it’s taboo themes
Asian Aryianism and whites living vicariously through Japanese culture
Themes of Asian Aryanism in The Legend of Zelda, which combines Japanese and Medieval European Aesthetics
Asian Aryan themes in Vaporwave with Roman busts and Japanese aesthetics
The minimalist Japanese vs. Chinese aesthetics
How each music genre has it’s own unique aesthetic
The Seapunk electronic genre, which uses Sega Genesis imagery(ex.UNICORN KID)
Dark wave, which is apocalyptic electronic music from Germany(ex. Project Pitchfork, and Dunkerwerk)
Betsy & Chris, the white Hawaiian folk music duo, who sang in fluent Japanese
Stereolab, which reminds Pilleater of Rabbit’s AltLeft
Why Alex thinks Michael Jackson is an Alt Left Icon
Sam Hyde and Tim & Eric on Adult Swim
Pilleater’s upcoming book, “Almond Eyes, Baby Face,” a collection of short stories on Asian Aryanism

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Robert Stark interviews Jim Goad

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Robert Stark, Rabbit, and Alex von Goldstein talk to JIM GOAD

Topics include:

Jim’s upcoming book “The New Church Ladies” 
Jim’s early exposure to politically correct censorship, including his magazine ANSWER Me!’s obscenity case, and his purging from Vice
The corporate collusion with political correctness, and Jim’s observation that Vice became more liberal as it became more corporate
How political correctness functions as a hyper moralistic religious structure
The corruption and tabloid nature of modern journalism
Jim ponders the questions “Am I A Racist? Depends On What You Mean By “Racist”
Why Jim rejects moralistic arguments
The Nietzschean concept of slave morality
Jim’s article Mr. Trump’s Economic Nationalism
Jim’s book The Redneck Manifesto
Jim’s appearance on Bill Maher’s Politically Incorrect
Jim’s zine magazine ANSWER Me!
Answer ME!”s Suicide Issue, an interview with Jack Kevorkian, Kurt Cobain’s reading of the series before his suicide, a story of a girl who corresponded with Jim, and how the media shamelessly exploited her suicide
Answer ME!’s Rape issue, including interviews with serial killer Richard Ramirez, and prison rape survivor Donnie the Punk
Jim’s interview with pornographer Al Goldstein, and Al Goldstein’s interview with David Allan Coe


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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. TolkienAleister CrowleyOscar Wilde, H. L. MenckenDavid LynchRichard WolstencroftSalvador DalíJonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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