Category Archives: Aristocratic Individualism

Robert Stark talks to Jamie Curcio about Narrative Machines

1980's, aesthetics, Aleister Crowley, Alexander Dugin, Alternative Right, Anarchism, Aristocratic Individualism, Art, Beatniks, counterculture, Culture, Cyberpunk, David Bowie, David Lynch, dreams, Fascism, Film, horror, Industrial Music, J.G. Michael, Jamie Curcio, Jean Baudrillard, Laibach, Literature, Media, Memes, Milo, Mishima A Life in Four Chapters, Morality, Mulholland Drive, Music, Narrative Machines, Nietzsche, Occultism, Philosophy, Politics, Postmodernism, Psychology, Retro Futurism, Sam Kevorkian, Social Isolation, Social Media, Stranger Things, Surrealism, They Live, Thomas Ligotti, Vaporwave, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

Robert Stark, co-host Sam Kevorkian, and J.G. Michael talk to Jamie Curcio about his new book Narrative Machines: Modern Myth, Revolution, & Propaganda. Jamie is an Artist, Writer, and Musician, and blogs at Modern Mythology.

Topics:

Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truths
Hobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politically
Interrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister Crowley
David Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media

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Robert Stark interviews Count Isidor Fosco

Academia, aesthetics, Alternative Left, Alternative Right, Argentina, Aristocratic Individualism, Asia, Asian Aryanism, Asian Culture, Basic Income, Canada, capitalism, Catholicism, Class, Conservatives, Count Isidor Fosco, counterculture, Culture, demographics, Diversity, Donald Trump, Economics, education, England, Film, Globalization, Immigration, Imperialism, income inequality, Jonathan Bowden, Juan Peron, Leftism, Marxism, Multiculturalism, Nationalism, Neoliberalism, Oligarchy, Philosophy, Pilleater, Quebec, Rabbit, Religion, Retro Futurism, Secessionism, Sir Oswald Mosley, social status, Socialism, Third Position, Third Way Economics, Toronto

 

 

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and co-host Pilleater talk to Count Isidor Fosco. He is an actor based in Toronto, Canada.

Topics:

Count Fosco’s background in the Film Industry in Toronto
Count Fosco’s background in Philosophy
Count Fosco’s Catholic upbringing and Catholic Social Teachings
Toronto as the Neo-Liberal, Multi-Cultural capital of North America
The Eurasian scene in Toronto, The Mixed in the Six club, and Pilleater’s Asian Aryanism
The Secessionist movement in Quebec, Native American Secessionist movements, and Calexit
CPAC organizer denounces ‘alt-right’ as ‘left-wing fascist group’
Neo-Liberal Feudalism and how the mainstream Left has abandoned class issues
Third Positionism, Social Nationalism, and historic figures including Juan Perón, and Sir Oswald Mosley
Why Mosley was an admirable misunderstood figure, and a true Anti-Globalist who would have made a more logical “third power” to America
The need for an Aristocratic form of Socialism, and why socialism isn’t contrary to hierarchy
Karl Marx’s hierarchy of labor
Social Credit and the Basic Income, and how it should be implemented
Affordable Family Formation
What an aristocrat is in today’s capitalist society
The idealistic definition of a True Aristocrat as a revolutionary figure
Georges Palante and Aristocratic Radicalism
Jonathan Bowden and the Angry Young Men
Working and middle class people who view the Trump family as Aristocrats
Trump’s “Aristocratic Futurist” aesthetic and Rockefeller Center in New York City

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Robert Stark talks to Pilleater about Kaze to Ki no Uta, Avant Garde Art, & Philosophy

1970's, 1980's, aesthetics, alienation, Alternative Left, Alternative Right, Anime, Aristocratic Individualism, Art, Art Nouveau, Asia, Asian Aryanism, Asian Culture, Aspergers Syndrome, censorship, Cinema, conformity, counterculture, Culture, David Hamilton, Erotica, Europe, Fascism, Film, France, Gender, Homosexuality, Japan, Japanese Culture, Jock Sturges, Kaze to Ki no Uta, Lasse Nielsen, Love, Marquis de Sade, Mineo Maya, Morality, Normies, Patalliro!, Peter Sotos, Philosophy, Photography, Pilleater, Pornography, Psychology, Sexuality, Surrealism, Utopia, Will McBride, Yukio Mishima

 

 

 

 

 

 

 

 

 

 

 

Robert Stark and Pilleater talk about the manga and anime, Kaze to Ki no Uta (The Poem of the Wind and the Trees) and themes of sexuality compared to other works of experimental art.

Topics:

Pilleater’s The Poem of The Wind and Trees Documentary
The setting of Kaze to Ki no Uta at a boarding school in Provence, France in the late 19th century
The aesthetic of the film, the Art Nouveau influence, and the Japanese interpretation of the 19th Century European Aesthetic
The art of Mineo Maya, and Patalliro’s “queer” Asian Aryan Aesthetic in contrast with Kaze to Ki nu Uta’s artistocratic one
Sexuality in Anime, the Yaoi and Shōnen-ai genres of manga, it’s controversial themes of crossdressing, homosexuality, and youth, and the large female fan base of the genre
Youth and Sexuality, capturing innocence in art, and adults longing for eternal youth
Japanese vs. Western attitudes toward sexuality and art
Other controversial yaoi’s, Okane Ga Nai (No Money) and Henshin Dekinai
Fascist themes in Manga
Japanese erotic art, Hajime Sorayama‘s robot erotica, Namio Harukawa‘s dominatrix, and controversial photographer Garo Aida
The Debate about what is Art and what is Erotica, degenerate art vs. ethically pleasing innocent art, photographer David Hamilton
Yukio Mishima’s Madame de Sade and Confessions of a Mask
The Amazing Panda Adventure, an Asian Aryan Love Story
Lasse Nielsen’s films You Are Not Alone, and Could We Maybe, as a European version of the Yaoi genre
Peter Sotos’ Selfish, Little, and photographer Will McBride
Why the 70’s and 80’s were a unique era in producing Avant Garde Art
The Left Wing of the Alt-Right
The Männerbund
Art and Aesthetics as a way to create a vision for a utopian society
Aristocratic Individualism, and how being a product of post modernism can allow one the freedom to start over from scratch, and come up with ones own utopian vision
How institutions such schools, corporations, and the media manipulate psychosocial values, and the pressure to conform to “normie” values

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Robert Stark interviews Paul Bingham about Wyndham Lewis, Ernst Jünger, & Italian Futurism

aesthetics, Aleister Crowley, Alex von Goldstein, Architecture, Aristocratic Individualism, Art, Art Deco, Carl Jung, Cities, Cuisine, Culture, Drugs, Ernst Jünger, Fascism, Filippo Marinetti, Futurism, Italian Futurism, Italy, Paul Bingham, Science, Science Fiction, technology, Transhumanism, War, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham. This show is a continuation of our discussion about Aleister Crowley and Aristocratic Individualism

Topics include:

How Wyndham Lewis, Ernst Jünger, Aleister Crowley, and the Italian Futurist, were individuals who existed outside the liberal reactionary/traditionalist paradigm, and viewed the world in a realist way unbiased by ideology
The cult of Positivism
Italian Futurism, how it was marginalized due to it’s ties to Mussolini, but made a major impact on the arts
How Ayn Rand was influenced by Italian Futurism
Robert Stark’s talk with Rabbit about Italian Futurism
Wynham Lewis’s Vorticist movement, his magazine Blast, and his Rebel Art Centre
The philosophy of the Vortex, which views everything as energy constantly in motion
The rivalry between Italian Futurist Filippo Marinetti and Wyndham Lewis, and how Lewis critiqued Italian Futurism for putting to much emphasis on technology
Wynham Lewis’s The Art of Being Ruled, which made the case that the artist was the best to rule, and that capitalism and liberal democracy suppressed genuine cultural elites
How the book addresses Transsexualism, and anthropological findings on the Third Sex
Kerry Bolton’s essay on Wyndham Lewis
Lewis’s relationship with fascism, how he published the book Hitler (1931), which presented Adolf Hitler as a “man of peace,” but latter wrote an attack on anti-semitism: The Jews, are they human?( 1939)
The influence of war and violence on Italian Futurism
The Manifesto of Futurism
The Futurist Cookbook
Futurism is about testing what works, and rejecting traditions that don’t work
The futurist believed that every generation should create their own city, and futurist Antonio Sant’Elia’s Plan for Città Nuova (“New City”)
Paul worked on a book that was never published, “The Motor City and the Zombie Apocalypse,” about how the motor city is incompatible with human nature
The effects of global technological materialism on culture, and how technology needs the right people and culture to work
Jean Baudrillard point that the Italians have the best symbiosis between culture and technological progress
The Transhumanist concept of Cybernetics, which is rewiring the brain, and how the futurist used poetry as a precursor to cybernetics
Paul’s point that futurist movements such as cyberpunk, and Neoreaction are more focused on Live action role-playing, but are not serious about pushing the limits
The intellectual and transcendental value of LSD and DMT, Ernst Jünger’s experimentation with acid, but they are only effective if the right people use them
Paul’s point that the only real futurist are underground, and experimenting in third world countries
Aristocratic individualism, and Paul’s opinion that Ernst Jünger is the best example, and Jünger’s concept of the Anarch
Ernst Jünger’s science fiction novel The Glass Bees
Ernst Jünger’s “The Worker”


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Robert Stark interviews Richard Wolstencroft about Aristocractic Radicalism

Africa, Aleister Crowley, Alex von Goldstein, Alternative Left, Alternative Right, Aristocratic Individualism, Boyd Rice, capitalism, Carl Schmitt, Cinema, Class, Culture, David Lynch, Donald Trump, Economics, Fascism, Film, Globalization, Immigration, income inequality, Jim Goad, meditation, Milo, misanthropy, Music, Nietzsche, Nihilism, Occultism, Oligarchy, Paul Schrader, Philosophy, Politics, Radical Center, Richard Wolstencroft, Socialism, Transcendental Fascism, Wealth

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Robert Stark and Alex von Goldstein talk to filmmaker Richard Wolstencroft

Topics include:

Aristocratic Radicalism is the notion that Society and Civilization exists to enable and empower great individuals and minds
The Nietzschean origins of Aristocratic Radicalism
Hugo Duchon’s book Nietzsche’s Great Politics
Besides Nietzsche, Richard’s philosophical influences include Ernst Junger, Carl Schmitt, Martin Heidigger, Ezra Pound, TS Elliot, and the Italian Futurist
Nietzsche’s justification of Slavery and other forms of oppression of the masses
In contrast to hereditary aristocracies, great minds and spirits can emerge from the slave class, and must still be enabled
Why a social safety net is necessary to enable great thinkers and creative types to arise
Aleister Crowley, his belief in an Aristocracy of the creative class, and how he saw capitalism as degrading genuine cultural elitism
Richard’s exposure to occultism through filmmaker Kenneth Anger, who was a student of Crowley
Richard’s concept of Transcendental Fascism, which is a new and more peaceful form of fascism, that is based on implementing Aristocratic Radicalism
Transcendental Fascism is an attempt to create a fascism that reinvents itself along dialectical lines toward the absolute, but also hopes to transcend some of the negative sides and effects of past fascism
Richard’s debate with Jim Goad about capping wealth
How it’s necessary to cap income on billionaires, because their excess wealth is used to corrupt the political system, and put into savings rather than invested in the economy
How despite Richard’s support for some degree of socialism, there must still be economic incentives for innovation and success
The Genealogy and Genesis of the Alt-Right, and Richard’s point that Boyd Rice, Jim Goad, Adam Parfrey of Feral House Books, Michael Moyniham, and Douglas P were the godfathers of the Alt-Right
Boyd Rice’s song People, which deals with themes of misanthophy, nihilism, and fascism
Richard’s article Why The Globalist Elite Should Drop Hillary And Support Trump
Richard is sympathetic to the Alt Left
Richard Spencer 2011 NPI Conference speech, where he showed stock footage from the UK in the 1970’s, of hippies protesting against mass immigration
Richard’s friend musician David Thrussell, who is a leftist but agrees with Richard most of the time
Richard’s documentary Heart of Lightness about the war in Uganda
David Lynch, his interested in transcendental meditation, dark themes in his films, and his politics
Paul Schrader
Richard’s upcoming film the Debt Collector, which is a revenge genre film with political themes

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Robert Stark talks about Mishima, Taxi Driver, & Aristocratic Individualism

1980's, aesthetics, alienation, Aristocratic Individualism, Art, Asia, Asian Culture, Cinema, conformity, Ellliot Rodger, Erotica, Fashion, Film, Futurism, Gender, Globalization, History, Hollywood, Homosexuality, Japan, Japanese Culture, Literature, Loserdom, Mishima A Life in Four Chapters, Music, Neon, New York, Nietzsche, Oscar Wilde, Paul Schrader, Philosophy, Pornography, Psychology, Retro Futurism, Sexuality, Social Isolation, Social Rejection, social status, Taxi Driver, Vaporwave, Yukio Mishima

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Robert Stark discusses the films Mishima: A Life in Four Chapters and Taxi Driver

Topics include:

Paul Schrader, who wrote both films, and directed Mishima
Schrader as a subversive non-conformist who exists within Hollywood culture
The theme of alienation in both films
The Nietzschean theme of a weak man empowering himself
The life and legacy of Yukio Mishima
How both Yukio Mishima and Travis Bickle in Taxi Driver are similar archetypes, existing in different environments
How both characters are aristocratic individualists, who envision an ideal world that is at odds with their current situation
An Aristocratic Individualist is someone who follows their own path instead of submitting to societies standards
Aristocratic Individualism is about having a clear vision for an ideal society, rather than individualism in the sense of everyone doing what ever they want
Examples of Aristocratic Individualists include, J. R. R. Tolkien, Aleister Crowley, Oscar Wilde, H. L. Mencken, David Lynch, Richard Wolstencroft, Salvador Dalí, Jonathan Bowden,Ernst Jünger, and Friedrich Nietzsche
The theme of romantic rejection, and the corrupting nature that sex plays in both films
Mishima’s story, The Temple of the Golden Pavilion
How Aristocratic Individualists resent that they are being denied their rightful place in society, and the normie response that it’s a coping mechanism for losers
How Aristocratic Individualists take actions that can lead to either greatness or alienation
How Yukio Mishima rebelled against Japan’s process of modernization and Americanization
The scene where Yukio Mishima spoke to leftist college students, stating that he is fighting  against the same forces they are, but they dismissed them
The parallels to to how European New Right thinkers such as Alain de Benoist share views with the dissident left( ex. anti globalization, anti-consumerism, anti-imperialism, and pro-environment)
How Yukio Mishima was dismissed in his time, but dissidents are later validated in times of turmoil
Mishima’s Japanese minimalist aesthetic vs. Taxi Driver’s urban grittiness of 70’s New York City
New York Neon: Taxi Driver locales in Time Square, and “porn tourism,” which seeks out the remnants that have survived gentrification
The Neo-noir genre
The Retro-futurist theme in Mishima, combining ancient Japanese culture with the 80’s vision of the future(Vaporwave)
Eiko Ishioka, who was the art director for Mishima
The fantasy dream sequences in Mishima, and the dream like quality to 80’s films which are the essence of art
Bernard Herrmann‘s Jazz score for Taxi Driver, which captures the feeling of alienation and urban grittiness, and  Philip Glass‘s minimalist classical score for Mishima
Aristocratic Individualist Fashion style including designer Comme des Garçons and the director John Waters

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Robert Stark interviews Haarlem Venison

Alex von Goldstein, alienation, Alternative Right, American Culture, Aristocratic Individualism, Asia, Asian Culture, conformity, counterculture, Culture, Drugs, Gangster Bolshevism, Haarlem Venison, Homosexuality, humor, misanthropy, Philosophy, Poetry, Political Correctness, Politics, Psychology, Race Relations, Radical Center, Sexuality, Travel, Trolling

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Robert Stark and co-host Alex von Goldstein interview Dramatist, Vagabond, HBD Doomsayer, Globalist, Universalist, Evolutionary Humanist, Panpsychist, Black Aryan, and Poet-Warrior, Haarlem Venison. Haarlem blogs at AcidRight.INFO

Topics include:

Haarlem’s book of poetry LO! a racist exhile
Robert’s observation that the book uses racial slurs, but the overall theme of the poems are not about race, but rather alienation and being an exile from society
Moral Risk Associated with Dismantling Antiracism
Co-opt Kindness and Empathy
Why Haarlem calls himself THE FINAL NEGRO
The Origin of Haarlem’s Addiction to Sex with Refugee Men
Haarlems’s shtick is to elude categorization
Gangster Bolshevism
The role of the meek in society, and why Haarlem believes the meek will inherit the earth
Haarlem’s travels across Europe and Asia, and his observations of the cultures and countries he visited
Haarlem’s experience in Tibet, the Free Tibet movement, and ethnic self determination
The philosophy of the Acid Right, and the intellectual and spiritual value of psychedelic hallucinogenic drugs
How subversive political movements are more likely to come from counter-culture figures including hippies, rather than middle class conservatives
Haarlem’s new book DEATHTOTHEWORLD: an interracial racist love story
How the book is fiction, but the character is based on Haarlem, and inspired by his experiences traveling across America by Freight Rail
How the Alt Right serves a purpose as a wrecking ball to political correctness, but has it’s intellectual limitations
How Haarlem trolled Red Ice Radio by proposing the Nazi Virtual Reality Theory
Haarlem’s plan to attend the National Policy Conference, and organize a workshop(not officially affiliated with NPI) on non-violent direct action at West Potomac Park
His upcoming series of plays, “Four Speeches at the Gallows”
Harlem’s review of Beatnik Fascist by Brandon Adamson


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Robert Stark interviews Paul Bingham about Aleister Crowley

aesthetics, Aleister Crowley, Aristocratic Individualism, Art, capitalism, conformity, Consumerism, Culture, Distributism, Economics, England, Environment, Erotica, Futurism, hedonism, Homosexuality, Liberalism, Literature, Morality, Occultism, Paul Bingham, Religion, Sexuality, Wyndham Lewis

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Robert Stark and co-host Alex von Goldstein talk to Paul Bingham about Aleister Crowley

Topics include:

Today Aleister Crowley exists either as an icon of occultism, used by subcultures, derided by others, but few are familiar with his political and philosophical ideas
Kerry Bolton’s series on Aleister Crowley as a Political Theorist, Part 1 and Part 2
Political Platform based on Crowley’s ideas
Julius Evola on Crowley
James J. O’Meara’s reivew of Richard B. Spence’s book Secret Agent 666
Crowley’s religion Thelema
Crowley’s fascination with power structures
Crowley transcended politics and did not fit into either traditionalism or the left
Crowley did not fit into the left for rejecting egalitarianism and mass democracy, and the right for rejecting free markets and traditional morality
Crowley’s Aristocratic individualism, and his belief in an Aristocracy of the creative class
Wyndham Lewis‘s book The Art of Being Ruled, which like Crowley advocated the rule of the creative class
Crowley viewed the masses as spiritualy inferior
Crowley saw capitalism as degrading genuine cultural elitism
Crowley rejecting Marxism, but supported a social safety net to free up the creative class
Crowley’s value of leisure
Crowley came to the same conclusions about economics as the Distributist and Social creditors, who were Traditional Catholics
Distributism and Social Credit are the economic systems most compatable with Aristocratic Individualism
Homo economicus
Crowley’s critique of democracy
Crowley’s environmentalism
Crowley’s interest in Mountaineering
Crowley tested the limits of human nature and practiced what he wrote about
The futurist philosophy is about testing what works
Crowley’s view of the future was that things will collapse and a new brighter future will emerge
Crowley’s erotic poetry series White Stains, and how he practiced the sexual acts he wrote about
Crowley used sexual experimentation to further his intellectual state, but did not advocate it for the masses
Why the individual must have freedom to exist within their own personal boundaries
Crowley’s advocacy of youth colonies, how the elites practice youth camps, and the importance of controlling youth
How male bonding and inter generational relationships are stigmatized for the masses
How Crowley often took the passive role in sexual acts with both men and women
Paul’s point that most people are either sexually dominant or submissive, but that being a switch is a uniquely Anglo trait
Crowley as the original Troll
Paul’s point that if Crowley were alive today he would be disinterested in western politics
Our upcoming show with Paul on Italian Futurism, and how Crowley, Wyndham Lewis, and the futurist had similar ideas, but were fiercely independent from one another

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